donations click target
donations click target

Please enter the amount you would like to donate

You can also make a transfer to 3 137 bank account.

Name:
3 137
Account number:
5080 082881 451
Bank:
PIRAEUS BANK SA
IBAN:
GR84 0172 0800 0050 8008 2881 451
SWIFT:
PIRBGRA

Please include your name and the title "united we"

CALL +30 2130 26 14 36

AND 

LISTEN TO A SOUND PIECE BY

NATALIE YIAXI

GABRIELA COMMUNICATION DEPARTMENT 

ANSWERING MACHINE COMMISSION VII

DURING THE QUARANTINE

24 HOURS / 7 DAYS A WEEK


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Following the developments regarding the Covid-19 outbreak, GABRIELA announces the early departure of the Director of the Institution, Ilaria Marion Conti, from Athens. The event and publication presentation scheduled for Friday, March 20, 2020, is postponed until further notice.

During this period we want to continue supporting our community, be patient, have fun and take care of those who  need it the most. With love, and by paying attention to what is happening,  

GABRIELA is insisting on the concerns that she is dealing with and invites you to call (+30) 2130 261436 and listen to the sound piece by Natalie Yiaxi Breaking News, (2020). 
The service is available 24 hours a day.

The War of the Worlds was not designed as a radio farce, and Wells had no idea of the chaos it would cause. In this sci-fi tragicomedy, Natalie Yiaxi imagines a demonstration by a united visual arts front, and the chaos it would cause in light of recent developments. This piece incorporates previous projects of hers, such as the radio spot for the imaginary artists’ support program A.A.F.A.Y, (2015), an acronym for Adopt An Artist For A Year,, and the song Nothing At All, (2015).

GABRIELA Communication Department commissions sound pieces and messages.
Hold the line.

In an effort to be even more accessible during this period of self-isolation and social distancing, we are providing a link through which you can access Breaking News, if you are unable to call a greek landline.
Please click 
HERE.

--
Natalie Yιaxi was born in 1980 in Nicosia. Her practice is a prolonged digression from the book, and the conceptual structure it suggests. She works with written and spoken word, artist’s books, film and installations, exploring everyday life and  voice as conditions with political and poetic dimensions. In her works, she often uses advertising language against itself.